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Jim Bowers
Jim received degrees from Dartmouth College, Yale University and the University of Redlands James Bowers taught English at several colleges and universities in the U.S., including a year at Yale teaching an advanced writing course. He also taught in Finland, China, The Czech Republic and Lithuania. His wife Jytte, born and raised in Denmark during World War II, is also a writer. They reside in Spearfish, South Dakota and belong to the Bearlodge Writers (www.bearlodgewriters.com).
Read the Prologue from Jim's new book, Voices From the Underground below.
Jim
Bowers
PROLOGUE
I am sitting in my chair in the cabin built by my own hands, looking
out at the stream flowing through my property, with my feet elevated,
piles of newspapers and my dog at my side. It is not that I am lazy. I'm
retired, and retirement means not doing whatever I do not care to do,
not talking with people I do not find interesting, not being anything
other than what I want to be. It is the ultimate in freedom, just to be
myself: no more games to play, no role to tell me how I ought to act,
only silence and intuition. But that also involves getting to know who
I really am. Memories from the past float to the surface, long-forgotten,
painful, surprising. I am changing in unexpected ways: death and rebirth
in my late sixties, as if one can start over again at that age. I am becoming
more reclusive, more observant, delighted by the vast panorama of inward
experience.
Room after room I wander through the mansion of my soul, ascending stairs
toward ecstasy, descending into a murky cellar of horror and evil, desperately
trying to find some stability within the energy between polar opposites.
There are many faces populating my house of imagination. In the silence
of meditation personalities gather in each room, conversing with one another,
anxious to be bodied into words so that they can live in the light of
the world outside. Most are strangers, unknown in the real world yet resembling
colleagues known, conversations overheard, small events that somehow reveal
meaning.
It is the meaning, the purpose of each unexpected inspiration that entices
me now: how each piece of the puzzle begins to fit, how obvious it all
is, how simple. The posts and beams, the tongues and grooves of my mansion
fit together so perfectly. I could never have accomplished such craftsmanship
myself, yet here it is. Mine has been a life flowing between granite walls
of necessity; now it is opening out into a huge expanse of still water,
deep, reflecting the light of the sky, clear and green to the very bottom.
The problem is how to embody this inner world, to articulate it in a form
that will not become abstruse in the outer world. I must learn how to
transform breath into words, not the spoken words I have used as a teacher,
but written words with black rigid forms that will never change. The spoken
word might live in the hearing of a few others, might somehow reach their
souls with transforming power, but the printed word seems, like a rock,
not to have a life of its own. Its form must enliven through the eyes
of a reader, become a face in the reader's inner world.
I sit in my chair reading newspaper accounts of events in Russia, China,
the far flung reaches of the world, but the words are simply informative.
They do not reverberate in the soul. They are pebbles on the bottom of
the stream, inert, without a life of their own, passed over quickly and
soon forgotten.
To live, the words have to sing. They have to resonate with meaning, creating
polytonal pictures in the mind of a reader. They have to dance on the
page, forming and reforming until the mind is filled with images conversing
with one another in spacious rooms of the imagination. They have to startle
with unexpected associations, entice with intimate revelations, seduce
with clairvoyant intimations until the soul of the reader is immersed
in a world of the writer's creating. Writer and reader, together they
dance and sing on the waters of a calm sea, their souls reflected in the
depths, clear, green to the very bottom.
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